I was hanging around with Jay Braun on St. Mark's Pl. I ran into him there probably because he had an apt. there, and I worked at St. Mark's Comics for $5/hour, under the table. He told me if I wanted to see some good music, I should see his teacher Simon Chardiet play with Simon and the Bar Sinisters at the Continental. The first time I went, it was full of people dressed like it was 1955 in Kentucky--Western shirts, poodle skirts, pompadours and ponytails. Weird for me, but I hung out and enjoyed the show. Simon rocked, lots of dancing in the audience. I started hanging around there Friday and Saturday nights.
All of this was a real lifesaver. I was having trouble getting used to being an adult without the support of college, living on $5/hour without the support of my parents, and being single--which I had had a boyfriend for the final 2 years of college, who spent a lot of time and money on me. He was a great guy, but like a lot of guys, the 2-year time limit was up by the time I was leaving school. Fortunately, Charles returned to being my roommate around this time. It was great because I was feeling so isolated.
Hours at St. Mark's comics got lower, so I got an office job at a beeper company for--oh boy!--$6/hour under the table and 40 hours a week. The price of this raise was dealing with pimps all the time, "Yo, I need a beeper for mah girl," and a boss that yelled at me all the time. By that I mean he wouldn't just tell me something in a normal tone of voice, even though I asked him politely. He just yelled and said racist things about my coworkers. I found this very difficult to deal with, but I didn't feel like I should look for another job right away. After going out a few weeknights, I found that sleep deprivation really numbed me out to the yelling and sick atmosphere at work. I started going out 5 to 6 nights a week, or till I fell down with exhaustion.
Along with Simon, I saw the Senders, the all-night jazz and blues jam at Ludlow St. Cafe, Mike Mok and the Big 5, the Waldos, The Vibes, Poppa Chubby, Seamonster, Collective Soul. I had no idea some of these bands had been a big deal at Max's Kansas City, etc. I just went where the good music was. If the place was conducive to dancing, dance near the wall by myself. When the shows were over, talk to the band a little bit to tell them that I enjoyed their performance.
In March of 1994, I started to think about leaving New York City. It was a terribly difficult place to live. Rent was high, public transit expensive and unreliable. Small businessmen couldn't be honest and remain in business. I had real problems working for dishonest people.
I realized in that moment, that I would have to stay in New York City. I would never find so many great musicians anywhere else, or rejoice in quite the same way anywhere else. Later that year, I had a long talk with the drummer from Barbecue Bob and the Spare Ribs, Scott Byrne. We quickly became constant companions, and got married the following year.
So, that's why I go out to see bands whenever I can...mostly to make New York City worth it. I have a better job now--thank goodness. And I tried to live other places, which were easier in a lot of ways, but nothing can compare to the great sounds I hear in New York, and the feelings they bring out in me.
All of this was a real lifesaver. I was having trouble getting used to being an adult without the support of college, living on $5/hour without the support of my parents, and being single--which I had had a boyfriend for the final 2 years of college, who spent a lot of time and money on me. He was a great guy, but like a lot of guys, the 2-year time limit was up by the time I was leaving school. Fortunately, Charles returned to being my roommate around this time. It was great because I was feeling so isolated.
Hours at St. Mark's comics got lower, so I got an office job at a beeper company for--oh boy!--$6/hour under the table and 40 hours a week. The price of this raise was dealing with pimps all the time, "Yo, I need a beeper for mah girl," and a boss that yelled at me all the time. By that I mean he wouldn't just tell me something in a normal tone of voice, even though I asked him politely. He just yelled and said racist things about my coworkers. I found this very difficult to deal with, but I didn't feel like I should look for another job right away. After going out a few weeknights, I found that sleep deprivation really numbed me out to the yelling and sick atmosphere at work. I started going out 5 to 6 nights a week, or till I fell down with exhaustion.
Along with Simon, I saw the Senders, the all-night jazz and blues jam at Ludlow St. Cafe, Mike Mok and the Big 5, the Waldos, The Vibes, Poppa Chubby, Seamonster, Collective Soul. I had no idea some of these bands had been a big deal at Max's Kansas City, etc. I just went where the good music was. If the place was conducive to dancing, dance near the wall by myself. When the shows were over, talk to the band a little bit to tell them that I enjoyed their performance.
In March of 1994, I started to think about leaving New York City. It was a terribly difficult place to live. Rent was high, public transit expensive and unreliable. Small businessmen couldn't be honest and remain in business. I had real problems working for dishonest people.
I realized in that moment, that I would have to stay in New York City. I would never find so many great musicians anywhere else, or rejoice in quite the same way anywhere else. Later that year, I had a long talk with the drummer from Barbecue Bob and the Spare Ribs, Scott Byrne. We quickly became constant companions, and got married the following year.
So, that's why I go out to see bands whenever I can...mostly to make New York City worth it. I have a better job now--thank goodness. And I tried to live other places, which were easier in a lot of ways, but nothing can compare to the great sounds I hear in New York, and the feelings they bring out in me.
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